And as Marco, Washington, every inch the star, is swell as both a sober and true career soldier, and an obsessive whose night terrors are making him crazy - or not, as the case may be. How sweet it is to see Schreiber with a long-overdue juicy part in a big picture. Jeffrey Wright, meanwhile, makes a haunting appearance as a shabby, seriously disturbed former comrade whose nightmares are so unnervingly similar to Marco's that the Major is driven to confront Shaw, who tantalisingly admits he remembers what happened to make him a decorated war hero, "but I don't remember it happening". The status of the women has been upgraded from the original: the mother's from pushy political wife to an influential senator, and romantic interest Rosie's (Kimberly Elise) from merely 'the girl' to more of a sidekick with an agenda. The updating is also well-timed: it's set during a Presidential election campaign, and Schreiber's cold but pitiable Shaw is the inadequate scion of a powerful political dynasty, a puppet of his ruthless, ambitious mother (Streep, on wicked form) and the corporate interests with which she's chillingly allied. This may not be as sexy or have as much clarity as antagonists who have ideologies - and we could wish the sinister, scheming suits of Manchurian Global (including an underused Dean Stockwell) and the Shaws' liberal opposition (represented by Voight's astoundingly naive senator) were fleshed out a tad more - but it's certainly worrying. This is coupled with the conceivable threat of a multinational corporation stealing minds and souls with a little neurosurgery and microchip implants. Now that the Red Menace is old hat and zombification by hypnosis is cheesy, we have the compelling charge of undermining democracy levelled against a greedy globalist elite. That was in the good old days, of course, when an indictment of party-political machinations and extremism to left and right could be expressed in a nifty æus versus the Commies' tale. The original's plot drew on stories about the brainwashing of Korean War prisoners by the Chinese and the witch-hunting hysteria of the '50s, in which McCarthyites claimed that American government and society had been infiltrated by Communist subversives. The smart, gripping script has been reworked from both Richard Condon's Cold War novel, in which an American soldier was brainwashed to carry out assassinations via hypnotic suggestion, and scripter George Axelrod's sophisticated, faithful adaptation of the 1962 John Frankenheimer film starring Frank Sinatra, Laurence Harvey and Angela Lansbury (who stole the picture as Harvey's memorably monstrous mother although she was only three years older than him). So it's exciting to see an apparently re-energised Jonathan Demme coming back at us with his best feature since The Silence Of The Lambs, a cracking conspiracy thriller that's well-cast, slyly satirical and - as a solid, glossy, contemporised remix of a classic - rings enough creepy changes to surprise. Remakes of celebrated films invite disaster.
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It was the last Pixar game to be released for the PlayStation Portable. A PlayStation Portable version was released in North America on November 8, 2011. It was also released in Europe on November 4, 2011. A Nintendo 3DS version was released on Novem(the same day the film was released on DVD and Blu-ray). The PlayStation 3 version of the game was reported to feature stereoscopic 3D gameplay. The game was released in Europe on July 22, 2011. Originally announced at E3 2011, the game was released by Disney Interactive on major platforms in North America on June 21, 2011, and in Australia two days later. It is based on the film Cars 2, the sequel to the 2006 film Cars. Not joking, but this is how the movie is supposed to be.Īvalanche Software (PlayStation 3, Wii, Xbox 360, PlayStation Portable)Ĭars 2 (also known as Cars 2: The Video Game) is an action racing game developed by Avalanche Software. Interested in Cars 2: The Video Game Wii price Visit Eneba and buy a new or used Cars 2: The Video Game Wii game cheaper Check the best Nintendo offers. When threatened with unforeseen fear he can buckle, only to bounce back a bit later. He is sturdy but as fragile and vulnerable as any youngster in their early-20s would be. He walks the fine line, avoids trivial conflicts, and steps in only when he has to sell the conviction of his idea or a decision to his team. Naveen (Naveen Kasturia), the CEO (of the yet-to-succeed start-up), is the delicate thread that holds all the mavericks together. When titillated, the revelations that spill-out from him leaves you astonished and stupefied. However rash one may be, everyone has a soft spot in their character. He would be treating people as ‘objects’ and would be screaming instructions at everyone without any mercy. Yogi (Arunabh Kumar) is that ruthless fellow who is conspicuously present and vividly noticeable, if you visit a LIVE-concert venue, a day before concert. A loner due to his over caring nature and insisting attitude, he wants to desperately break-free from the stigma attached to him about being orthodox, latch on to the team of intellectuals (his only ‘friends’) and end up in a league way above his existing one. His random insights are mostly irritating but such ‘samples’ are out there, available in plenty. Mandal (Abhay Mahajan), a typical MBA, is a cute fellow who believes presentation is the key differentiator between the ordinary and the extravagant. This has left him with supressed wounds which flare-up on certain occasions. With an arranged marriage that has not blossomed yet, and a father who ‘knows it all’, Jeetu has tasted professional success but remains deprived of appreciation and validation from the very people he loves. Jeetu (Jeetendra Kumar) is an ace-programmer he is the one who just longs to be the ‘good boy’. All its characters are comfortably perched around your daily lives. Reflect on the recent movies you have watched and which is your most favorite character? Most likely, it would be someone to whom you can relate to: it could be you, your friend, your boss, your father, your spouse or your girlfriend. The characters’ description, detailing and their consistency is THE strength of Pitchers and it’s of impeccable quality. And if not either, you would be on the edge of your seat wondering: Now what? The storytelling aspect of this one would keep swinging you between emotions or amusement. What goes into the making or breaking of it, the regressions and delicate portions of the relationships involved, the unforeseen challenges it can throw at you, how clashes can push you to the breaking point, the brutal functioning of the corporate world with the inherent manipulations involved, making and breaking of a team and hearts. Pitchers takes you into the world of ‘Start-up’. You are bound to leave a comment at their website nearly imploring them: I can’t wait, when is the season two of it coming out? In the world of cinema, where the only barometer of success is how many people come out to buy tickets at the Box Office, TVF Pitchers is a refreshing and fitting response to many mindless multi-crore movies. Impertinent exits from well-paying jobs follow, comical complications in family and relationships unfold, and then comes the biggest challenge: Who gives them the money? And do they give it ‘the way these four want it from them’? Spread across five episodes, the series presents hilarious introductions to a bunch of four youngsters in their mid-20s. Each decision has the potential of making or breaking the life of a youngster. The reason being what they portray is strikingly close to the hardships and the emotional turmoil faced by the generation in their 20s. Pitchers titillates your curiosity, it makes you long to meet the actors, its writer and director. Pitchers is a ‘Start-up’ adventure of 4-youngsters, which frequently comes dangerously close to turning into a misadventure. Recently, Pitchers’ final episode was released. Background: There’s a group called “The Viral Fever” on youtube ( ) that has launched its series called “TVF Pitchers”, a couple of months back. Writing library : libebml v1.3.0 + libmatroska v1.4.1Īttachments : Corbert-Regular.otf / Delicious-Bold.otf / Delicious-BoldItalic.otf / elect_0.ttf / FREESCPT.TTF / Gotham-Ultra.ttf / HelveticaLTStd-Roman.otf / KozGoPr6N-Bold-Mikakunin.ttf / MercuryTextG1-Semibold.otf / Coffee House.ttf / comic.ttf / Comixheavy.ttf Writing application : mkvmerge v6.8.0 ('Theme for Great Cities') 64bit built on 21:34:26 |
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